Movie Pop Culture Showdown 2013 Round Two … Fight!

confessionsclapper

Ladies, gentlemen, trees, and multiforms, it is time, once again, for the Movie Pop Culture Showdown!

This annual event pits pop culture movie figures from various eras randomly against one another in a tournament to the death (or near death … or whatever).

Each year, around this time, for the next five weeks, we will be holding an ultimate showdown of pop culture film icons from all kinds of films. Each year, we will randomly select 32 participants from the pool of carefully selected movie heroes and villains, and then pit them against each other in five rounds of fisticuffs, gunfights, and battles of wits and you, our faithful listeners, will vote each week on who will win.

Here are the rules:

  1. No characters from comic book movies. Comic books have a long and rich history that will undoubtedly color the judgment of voters. If we limit the selection to movies only, and only from non-mainstream comic book movies, this should help limit that problem. Therefore, no Spider-Man, Batman, Superman, Hellboy, etc. Characters that began in film and were later adapted to comic book form is perfectly acceptable.
  2. No characters from television. This is for movie roles only.
  3. Most characters that originated in literature are also exempt.  There are some exceptions when the character has taken a genuine life of their own in their movies, and become something totally different from the original books.
  4. Only one character is eligible from each film and film series. Therefore, only one character from the “Star Wars” films or “James Bond” films would be eligible.

Every two weeks, we post the bracket for the round, with a poll for listeners to vote for winners in each match. If we go with 32 characters, that means the first round would be 16 matches, the second round 8 matches, the third round 4 matches, the fifth round 2 matches, and then the final round.

We’ll announce the winners on the shows the following week, when we will add in the votes of Ethan, Aaron, and whoever our guest host is that week.

Round Two …

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Click Here to Vote in the Current Round

Click Here to Vote in the Current Round

 

The Future of Star Wars

the future of star wars

October 30th 2012 brought arguably the biggest news in the history of the podcast, Disney to Buy Lucas Film Ltd. ! two companies firmly routed in the history of the show. Join Ethan, Aaron, and Guest Host Noah Gibbs as we discuss the facts of this story then we leave firm reality and discuss what we’d like to see with the future of Star Wars.

Star Wars: The Empire Strikes Back Special Edition Commentary

The 2004 release of The Empire Strikes Back Special Edition on DVD.

The 2004 release of The Empire Strikes Back Special Edition on DVD.

We begin Season Three with the first of our two bookend issues this time around, with a major format change for the show.  In this issue, we talk a bit about what’s to come this season and Aaron and I sit down to record a commentary track to Aaron’s most favorite film of all time, Star Wars Episode V: The Empire Strikes Back.

We sat down with the 2004 DVD release of the Special Edition of The Empire Strikes Back, and talk a bit about the movie, the myths behind the movie, and the myths that come from the movie.

About The Empire Strikes Back

Star Wars Episode V: The Empire Strikes Back (also known as The Empire Strikes Back) is a 1980 American epic space opera film directed by Irvin Kershner. The screenplay, based on a story by George Lucas, was written by Leigh Brackett and Lawrence Kasdan. Of the six main Star Wars films, it was the second to be released and the fifth in terms of internal chronology.

The film is set three years after Star Wars. The Galactic Empire, under the leadership of the villainous Darth Vader, is in pursuit of Luke Skywalker and the rest of theRebel Alliance. While Vader chases a small band of Luke’s friends—Han SoloPrincess Leia Organa, and others—across the galaxy, Luke studies the Force underJedi Master Yoda. But when Vader captures Luke’s friends, Luke must decide whether to complete his training and become a full Jedi Knight or to confront Vader and save his comrades.

Following a difficult production, The Empire Strikes Back was released on May 21, 1980, and initially received mixed reviews from critics, although it has since grown in esteem, becoming one of the most popular chapters in the Star Wars saga and one of the most highly-rated films in history. It earned more than US$538 million worldwide over the original run and several re-releases, making it the highest grossing film of 1980. When adjusted for inflation, it is the 12th highest grossing film in history as of 2010

As part of Star Wars’ 20th anniversary celebration in 1997, The Empire Strikes Back was digitally remastered and re-released with A New Hope and Return of the Jedi under the campaign title The Star Wars Trilogy: Special Edition. Lucas took this opportunity to make several minor changes to the film. These included explicitly showing the Wampa creature on Hoth in full form, creating a more complex flight path for theFalcon as it approaches Cloud City, digitally replacing some of the interior walls of Cloud City with vistas of Bespin, and replacing certain lines of dialogue. A short sequence was also added depicting Vader’s return to his Super Star Destroyer after dueling with Luke, created from alternate angles of a scene from Return of the Jedi. Most of the changes were small and aesthetic; however, some fans believe that they detract from the film. The film was also resubmitted to the MPAA for rating; it was again rated PG, but under the Association’s new description nomenclature, the reason given was for “sci-fi/action violence.”

The Empire Strikes Back was released on DVD in September 2004, bundled in a box set with A New HopeReturn of the Jedi, and a bonus disc of extra features. The films were digitally restored and remastered, with additional changes made by George Lucas. The bonus features include a commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher, as well as an extensive documentary called Empire of Dreams: The Story of the Star Wars Trilogy. Also included are featurettes, teasers, trailers, TV spots, still galleries, video game demos, and a preview of Star Wars Episode III: Revenge of the Sith.

For the DVD release, Lucas and his team made changes that were mostly implemented to ensure continuity between The Empire Strikes Back and the recently released prequel trilogy films. The most noticeable of these changes was replacing the stand-in used in the holographic image of the Emperor (with Clive Revill providing the voice) with actor Ian McDiarmid providing some slightly altered dialogue. With this release, Lucas also supervised the creation of a high-definition digital print of The Empire Strikes Back and the other films of the original trilogy. It was reissued in December 2005 as part of a three-disc “limited edition” boxed set that did not feature the bonus disc.

RedPhoneZone Issue #42

Cover to the Absolute Kingdom Come hardcover edition (2006). Art by Alex Ross.

Cover to the Absolute Kingdom Come hardcover edition (2006). Art by Alex Ross.

In this issue, Ethan, Aaron, and Shea take on a fan favorite when they put Kingdom Come on the Casting Couch.  After that, Shea looks into his deepest fears as he does a Characterization of Pennywise from It.  Finally, we wrap things up with a Confessions of a Movie Snob on the new Family Guy DVD release, It’s a Trap!

About Kingdom Come

Kingdom Come is a four-issue comic book mini-series published in 1996 by DC Comics. It was written by Alex Ross and Mark Waid and painted in gouache by Ross, who also developed the concept from an original idea (although some have claimed that the story holds strong similarities with the 1987 Alan Moore proposal, Twilight of the Superheroes). Set some twenty years into the future of the then-current DC Universe, it deals with a growing conflict between “traditional”superheroes, such as SupermanWonder Woman, and the Justice League, and a growing population of largely amoral and dangerously irresponsible new vigilantes. Between these two groups is Batman and his assembled team, who attempt to contain the escalating disaster, foil the machinations of Lex Luthor, and prevent a world-ending superhuman war.

When comic book artist Alex Ross was working on Marvels, published in 1994, he decided to create a similar “grand opus” about characters from DC Comics. Ross wrote a 40-page handwritten outline of what would become Kingdom Come and pitched the idea to James Dale Robinson as a project similar in scope to Watchmen (1986–1987) and Alan Moore‘s infamous “lost work” Twilight of the Superheroes. Ultimately, Ross teamed with writer Mark Waid, who was recommended by DC editors due to his strong familiarity with the history of DC superheroes.

 

It is a 1986 horror novel by American author Stephen King.

About It/Pennywise

“It” apparently originated in a void containing and surrounding the universe, a place referred to in the novel as the “Macroverse” (a concept similar to the later established Todash Darkness of The Dark Tower series). It’s most commonly used name is Bob Gray or Pennywise (at several points in the novel, It claims its true name to be Robert Gray) and is christened “It” by the group of children who later confront It. Likewise, It’s true form is never truly comprehended. It’s favorite form is that of a clown (with fangs and large claws when it stalks a child) known as Pennywise the Dancing Clown, and Its final form in the physical realm is that of an enormous female spider, although It is possibly male (or more Likely has no gender) the Losers Club considers it Female. It’s spider form is closest the human mind can get to approximating It’s actual physical form. It’s natural form exists in a realm beyond the physical, which It calls the “deadlights.” As such, the deadlights are never seen and It’s true form outside the physical realm is never revealed, only described as writhing, destructive orange lights. Coming face to face with the deadlights drives any living being instantly insane (a common H. P. Lovecraft device). Bill comes dangerously close to seeing the deadlights, but successfully defeats It before this happens, though during their first confrontation with It, Ben believes that he nearly sees It’s true form, and nearly panics as a result. The only known person to face the deadlights and survive is Bill’s wife, Audra Phillips, whose encounter with the deadlights nevertheless renders her temporarily catatonic.

It’s natural enemy is “The Turtle,” another ancient Macroverse dweller resembling a God-like deity, who, eons ago, created our universe, and possibly others. The Turtle shows up again in King’s series The Dark Tower. The book suggests that It, along with the Turtle, are themselves creations of a separate, omnipotent creator referred to as “the Other”. The Turtle and It are eternal enemies (creation vs. consumption). It arrived in our world in a massive, cataclysmic event similar to an asteroid impact, in the place that would, in time, become Derry, Maine, where It waited for humanity to appear.

It’s power is apparently quite vast; during the second Ritual of Chüd, It offers the Losers money, power, and supernatural lifespans if they spare It. Of course, It could merely have been bluffing in order to save itself. Nonetheless, It is able to manifest in multiple places at once (at one point, It possesses Alvin Marsh, Beverly’s father, and Henry Bowers at the same time) and choose to make itself and anything related to itself visible to some while invisible to others. When It confronts Richie Tozier in 1985, It threatens to give him prostate cancer, a brain tumor, and turn his tongue into pus, and Richie is convinced that It could actually perform such feats.

Through the novel, some events are described through It’s point of view, through which It describes Itself as the “superior” being, with the Turtle as someone “close to his superiority” and humans as mere “toys.” It describes that It prefers to kill and devour children, not by nature, but rather because the fears of children are easier to interpret in a physical form and thus children are easier to fill with terror, which It says is akin to “salt(ing) the meat”. It is continuously surprised by the children’s victories and near the end, and It begins to wonder if It perhaps is not as superior as It had once thought. However, It never believes that the individual children are strong enough to defeat It; though It suspects the presence of “the Other” working through them as a group, It dismisses the possibility — an error which proves fatal.\

 

Promotional poster for It's a Trap!

About It’s a Trap!

It’s a Trap!” is an hour-long episode of the Fox animated series Family Guy released in 2010. It is the sequel and final episode to the Star Wars parodies “Blue Harvest” and “Something, Something, Something, Dark Side“, which all make the three-part Laugh It Up, Fuzzball: The Family Guy Trilogy.

The episode was written by Cherry Chevapravatdumrong and David A. Goodman and directed by Peter Shin. It retells the story of Star Wars Episode VI: Return of the Jedi as “Blue Harvest” did with Star Wars Episode IV: A New Hope and “Something, Something, Something Dark Side” did with Star Wars Episode V: The Empire Strikes Back by recasting characters from Family Guy into roles from the film. The release of this special-length episode thus completes the parody remakes of theoriginal Star Wars trilogy.

Soapbox Soundoff: Aaron on Star Wars

starwars

Aaron had a soapbox to stand on, and wanted to get some of his issues with doing something on the show about his favorite series, Star Wars.