I’ve Got Red On Me

Our “Top 6 favorite movies of all-time” list is the show that we’ve done that i’m most filled with regret over. Because I crafted it to show a broad range of flicks. But mostly because I left “The Great Dictator” off my list.

Ever since then I’ve been trying to build my definitive top 5 list. 4 were easy. But deciding on number five hasn’t been. I’ve  had several flicks in that spot over the past year or so. Until I really thought about it. I’ve decided  my rock solid #5 is…

Shaun of the dead

Shaun of the Dead

I know what you are thinking. ” the zombie movie? Ugh!”

And you’d be partially right. “Shaun of the Dead” is a zombie movie. It has all the zombie movie tropes for sure.

However, if you really look at it as I have you’ll be amazed at just how devastatingly well made it really is!

This is one of those movies that has a little bit of everything, for everyone.

To begin with, it was made fresh off the cult hit “Spaced” with the principal stars, a rocking soundtrack containing hits from Grandmaster Flash, Melle Mel & the Furious 5, to Queen, as well as non heavy handed homages to the classic Romero flicks  from the title, to Shaun’s mum being named Barbara.

But don’t take the general marketability of the flick to mean it doesn’t have its depths.

On top of the general pleasing nature of the flick. It’s also deserving of serious cinematic analysis.

Beyond the zombie apocalypse, another layer of the supernatural can be observed. In the apocalypse being nature’s mechanism for achieving Liz’s desire for Shaun to grow up and offer a stronger commitment to their relationship. Much the same has been suggested for the classic Hitchcock flick. “The Birds”

This is a theory that I fully support, however in an effort to be honest I want you to know that this is not my theory. Actually it was suggested in an essay entitled “MEANINGLESS CAUSE AND DESIRE IN THE BIRDS, SHAUN OF THE DEAD, AND THE WALKING DEAD” written by my friend Craig Fischer, contained in the invaluable “Triumph of the walking dead“, edited by my friend James Lowder. Don’t take my familiarity with the creators as a shameless plug. I find this book to be required reading for any fan of The Walking Dead, zombies, or horror movies in general!

I feel that Mr. Fischer’s analysis is sound based off of the timing of the events coinciding with Liz’s “spectacular binning of Shaun”

 I also see it in the cautionary tale shown in David and Diane’s fate when they were complacent about the reality of their relationship. There is genuine pathos, and tragedy shown when David’s death is directly caused by his jealousy of Shaun. Despite Diane growing up and admitting that David always loved Liz, she still chooses to join David in his fate.

Most interestingly I see it in the story arc of Shaun’s well-meaning and buffoon of a best friend Ed. Ed is obviously a major force in holding Shaun back. Shaun is justifiably protective of Ed. However in a delicious bit of cinematic continuity Ed is bitten and killed and turned by their disapproving roommate’s zombie alter ego. However after the events of the movie we see Shaun and Liz in what appears to be domestic bliss, until it is revealed that Ed’s zombie is kept in the garden shed in what seems to be an effort to compartmentalize Shaun’s life. You know that isn’t going to end well. I see this as a blatant “? ending” as Freddy Kruger’s glove pulling Jason Voorhees’s mask back to hell, and Darth Vader’s revelation that “No, Luke I am your father!”

there is no way this could end badly!

there is no way this could end badly!

All of this is great. And at the same time this is a movie that finds its way into my Blu-Ray player monthly at least. And I’ve truly gotten a lot of mileage out of what is seen by many to be just a zombie movie. For these reasons and more “Shaun of the Dead” is easily my #5 favorite flick!

Uncool Aaron.

Next week-

pulp fiction

Zombie Show

Braaiiinnnsss!

Braaiiinnnsss!BRAAINNNSSS!!! that’s right 4 days before christmas so naturally we are talking Zombie movies!! only in homage to the overwhelming crushing feeling of a zombie apocalypse, we have on not one guest host but 3!! yes, it’s the megashow, we are Joined by Aaron and Ethan’s Fiance’s Rachel and Bethany respectively, and listener favorite James Lowder! editor of amongst many things “Triumph of the Walking Dead” which can be purchased here http://www.amazon.com/Triumph-Walking-Dead-Robert-Kirkmans/dp/1936661136

About Zombie Films

 zombie films. Zombies are creatures usually portrayed as either reanimated corpses or mindless human beings. While zombie films generally fall into the horror genre, some cross over into other genres, such as comedy, science fiction, thriller, or romance. Distinct sub-genres have evolved, such as the “zombie comedy” or the “zombie apocalypse”. Zombies are distinct from ghosts, mummies, or vampires, so this list does not include films devoted to these types of undead.

Victor Halperin’s White Zombie was released in 1932 and is often cited to be the first zombie film. However, arguments have been made that the ‘somnambulism’ in the German expressionist film The Cabinet of Dr. Caligari (1919) was an earlier example, involving a character in a state similar to that exhibited by zombies. And of course, the 1910 film Frankenstein features a reanimated corpse.

RedPhoneZone #57

Universal Monsters

Join us along with guest host James Lowder. Where we discuss Classic Horror films as a genre. Learn what we have a long time ago that when you have three guests you typically get 3 different definitions!

About Pre-Code Hollywood

Pre-Code Hollywood refers to the era in the American film industry between the introduction of sound in the late 1920sand the enforcement of the Motion Picture Production Code (Hays Code) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and did not become rigorously enforced until July 1, 1934. Before that date, movie content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.

About James Lowder

James Lowder has worked extensively on both sides of the editorial blotter. His writing credits include the bestselling, widely translated novels Prince of Lies and Knight of the Black Rose, short fiction for such anthologies as Truth Until Paradox and Shadows Over Baker Street, and comic book scripts for DC, Image, and Moonstone. He’s written hundreds of feature articles and book, film, and game reviews for such diverse publications as DragonAmazing StoriesSci-Fi Universe, and The New England Journal of History, and published role-playing game material for Dungeons & Dragons, Call of Cthulhu, Marvel Super Heroes, and various other systems. As an editor, he’s directed book lines or series for both large and small publishers, and has helmed more than a dozen critically acclaimed anthologies, including The Book of All FleshHobby Games: The 100 Best, and Curse of the Full Moon. He’s been a finalist for the International Horror Guild Award and the Stoker Award, and has won five Origins Awards and a silver ENnie Award. His most recent projects include an essay on Dario Argento’s Inferno in Butcher Knives & Body Counts: Essays on the Formula, Frights, and Fun of the Slasher Film and editing work on the Hack/Slash comics series from Image and the upcoming essay anthology Triumph of The Walking Dead: Robert Kirkman’s Zombie Epic on Page and Screen. Online at www.jameslowder.com.